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Home / Japanese Art History 2001 the State and Stakes of Research Mimi Hall Yiengpruksawan

Japanese Art History 2001 the State and Stakes of Research Mimi Hall Yiengpruksawan

Buddhism Buddhist Fine art and Architecture in Japan
Heather Blair
  • LAST REVIEWED: xviii August 2021
  • Final MODIFIED: 13 September 2010
  • DOI: 10.1093/obo/9780195393521-0010

Introduction

When Buddhism entered Japan in the sixth century, its sculpture, painting, compages, and texts—and the sophisticated technologies used to produce them—played a major part in attracting new adherents. These materials came to be viewed equally "art" only with Nihon'southward participation in international exhibitions and the domestic evolution of museums during the 19th century. Today it is primarily art historians who report Buddhist art and architecture, but equally buddhologists take an interest in social history and material culture, cross- and inter-disciplinary research is becoming more common. Disciplinary stereotypes exercise persist, still. They would have it that art historians are preoccupied with ceremonial, while buddhologists are so sunk in a textual mindset that they are unable to assess fabric objects critically. The Japanese-language literature on Buddhist art and architecture is voluminous, and is not covered in any significant detail here. Non-art historians should also sympathize that exhibition catalogs have been and continue to be a major publishing genre in both Japanese- and English language-language art history. Catalogs do have their limitations, but they can exist tremendously useful and anyone interested in a specific topic would do well to search out relevant exhibition materials. Happily for those who do not read Japanese, since the 1990s it has get common practice for Japanese catalogs to include English captions and fifty-fifty translations and synopses of essays.

General Overviews

Brock 2004 provides an overview of Japanese Buddhist art that is articulate, cogent, and very brief. Longer introductions to the topic can exist found in Leidy 2008 and Fisher 2002; the former survey is organized chronologically and the latter geographically. Seckel 1989 provides an accessible introduction to the forms and history of Buddhist art in East Asia, merely lacks color illustrations. Pre-modernistic Buddhist materials contain an integral office of the Japanese art historical canon, and Mason 2005, at present the standard survey of Japanese art, provides stiff coverage in this expanse. To date, researchers have all but ignored early on-modern and modern Buddhist art, deeming information technology aesthetically inferior when they have noticed it at all. Graham 2007 (cited under Momoyama and Edo) is an important corrective to this tendency. Older country-of-the-field articles by eminent US art historians (Rosenfield 1998 and Yiengpruksawan 2001) provide orientation to the topical preoccupations and intellectual politics of Japanese art history. A more than recent special issue of Acta Asiatica gives a Japanese perspective on the aforementioned topic and provides a helpful guide to Japanese-language publications. Exhibition catalogs, which are usually organized around a particular theme or drove, can provide survey-manner treatments, and such materials are discussed under various subheadings below. Meet also Collections for a range of paper-based and digital reproductions.

  • Brock, Karen. "Japan, Buddhist Art in." In The Encyclopedia of Buddhism. Edited by Robert Buswell. New York: Macmillan, 2004.

    Brief introduction to ritual use and typology of objects that are at present subsumed under the rubric of "Buddhist fine art."

  • Fisher, Robert E. Buddhist Fine art and Architecture. New York: Thames and Hudson, 2002.

    Accessible, well-illustrated, and cheap region-by-region introduction in the Earth of Fine art series. Useful for basic pan-Asian Buddhist context. Japan is treated together with Korea in chapter three. First published in 1993.

  • Leidy, Denise Patry. The Art of Buddhism: An Introduction to its History and Pregnant. Boston: Shambhala, 2008.

    Upwardly-to-date, comprehensive, erudite. Chronologically organized survey by Metropolitan Museum of Art curator.

  • Stonemason, Penelope E. History of Japanese Art. Upper Saddle River, NJ: Pearson Prentice Hall, 2005.

    Accessible textbook, first published in 1993. Sound and reasonably comprehensive coverage of pre-modern religious art (see especially pp. 58–99, 122–161, 184–233, 305–311, 324–326). Does expand canon, but has little to say about early on modern and mod Buddhist materials, for which see Graham 2007, cited under Momoyama and Edo.

  • Rosenfield, John M. "Japanese Art Studies in America since 1945." In The Postwar Developments of Japanese Studies in the Usa. Edited by Helen Hardacre, 161–194. Leiden, Kingdom of the netherlands: Brill, 1998.

    Clear discussions of art historical infrastructure in Japan and intellectual architecture of Japanese fine art history in the United States; brief analysis of modern interpretation of religious objects every bit "art."

  • Seckel, Dietrich. The Buddhist Art of East asia. Bellingham: Western Washington University, 1989.

    Provides straightforward, basic background on a variety of topics with thematic chapters on architecture, particular media, ritual implements, etc. Easy to read, just non well illustrated. Complements Leidy 2008, Fisher 2002 and Mason 2005.

  • Special Issue: The Current Country of Research on Japanese Art History and Related Bug. Acta Asiatica 85 (2003).

    Special issue of the message of the University of Tokyo's Constitute of Eastern Civilisation. State-of-the-field English-linguistic communication essays by prominent Japanese scholars. These do not focus on Buddhist art, but they are useful for up-to-engagement orientation to the field, especially in Japanese-language research.

  • Yiengpruksawan, Mimi Hall. "Japanese Art History 2001: The State and Stakes of Research." Art Bulletin 83.1 (2001): 105–122.

    DOI: ten.2307/3177192

    Necessarily dated but incisive snapshot of structure, politics, and trends in the field of Japanese art history. Brief overview of 19th- and 20th-century evolution of category of "art" in Japan is particularly useful (see pp. 111–117).

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